29 products were found matching your search for Hungarian Parliament Building in 3 shops:

This unpasted wallpaper features a parliament of owls and brings a touch of whimsy to nurseries and more. Designers, homeowners, and decorator enthusiasts can now transform their space with timeless texture and captivating color with non-pasted wallpaper by Tempaper & Co. Each design brings breathtaking beauty into every room for years to come. This exceptional collection features a variety of designs that are printed on a high-quality, eco-friendly, nonwoven substrate that has great depth of color and a silky matte finish that hangs like a dream. Using the paste-the-wall method, simply roll the recommended wallpaper adhesive onto your wall or surface. Elevate your walls with Tempaper & Co.'s first-ever unpasted wallpaper collection. Color: Snow White.

This unpasted wallpaper features a parliament of owls and brings a touch of whimsy to nurseries and more. Designers, homeowners, and decorator enthusiasts can now transform their space with timeless texture and captivating color with non-pasted wallpaper by Tempaper & Co. Each design brings breathtaking beauty into every room for years to come. This exceptional collection features a variety of designs that are printed on a high-quality, eco-friendly, nonwoven substrate that has great depth of color and a silky matte finish that hangs like a dream. Using the paste-the-wall method, simply roll the recommended wallpaper adhesive onto your wall or surface. Elevate your walls with Tempaper & Co.'s first-ever unpasted wallpaper collection. Color: Natural Beige.

Horned and barn owls perch upon curling white vines in this lovely wallpaper. Its light grey hue and white leaves create a bright eclectic design. Parliament is a prepasted, coated heavyweight paper wallpaper.

This unpasted wallpaper features a parliament of owls and brings a touch of whimsy to nurseries and more. Designers, homeowners, and decorator enthusiasts can now transform their space with timeless texture and captivating color with non-pasted wallpaper by Tempaper & Co. Each design brings breathtaking beauty into every room for years to come. This exceptional collection features a variety of designs that are printed on a high-quality, eco-friendly, nonwoven substrate that has great depth of color and a silky matte finish that hangs like a dream. Using the paste-the-wall method, simply roll the recommended wallpaper adhesive onto your wall or surface. Elevate your walls with Tempaper & Co.'s first-ever unpasted wallpaper collection. Color: Indigo Navy.

Curious owls and curling vines make up this eclectic wallpaper. Its white and teal hues give it a clean and earthy look. Parliament is a prepasted, coated heavyweight paper wallpaper.

This unpasted wallpaper features a parliament of owls and brings a touch of whimsy to nurseries and more. Designers, homeowners, and decorator enthusiasts can now transform their space with timeless texture and captivating color with non-pasted wallpaper by Tempaper & Co. Each design brings breathtaking beauty into every room for years to come. This exceptional collection features a variety of designs that are printed on a high-quality, eco-friendly, nonwoven substrate that has great depth of color and a silky matte finish that hangs like a dream. Using the paste-the-wall method, simply roll the recommended wallpaper adhesive onto your wall or surface. Elevate your walls with Tempaper & Co.'s first-ever unpasted wallpaper collection. Color: Celeste.

Adorn your walls with this delightful cream wallpaper. White horned and barn owls mingle amongst trailing vines, giving this neutral wallpaper a charming style. Parliament is a prepasted, coated heavyweight paper wallpaper.

With owls and looping trails, this wallpaper has a fantastic folky feel. Its bright white pattern pops against a deep navy background, creating a bold farmhouse look. Parliament is a prepasted, coated heavyweight paper wallpaper.

With a deep brown hue, owls, and trailing vines, this eclectic wallpaper has an earthy feel. Its bright white pattern pops against its dark cocoa background, creating a dazzling design. Parliament is a prepasted, coated heavyweight paper wallpaper.

Berlin is in the throes of a frenzied building boom to put the heart back into this cultural and political metropolis. At the centre of what will soon be Germany's new seat of government is Sir Norman Foster's revolutionary design for the lower house of the German Parliament, constructed within the shell of the world-famous Reichstag building.

This essential guide opens up the treasures of London’s most alluring quarter. At its core are Westminster Abbey, Parliament, and the palatial Government buildings of Whitehall, together with the great band of Royal Parks stretching westward toward Kensington. It also includes London’s West End (Covent Garden, Soho, Mayfair, and St. James’s) and the less well-known Belgravia and Pimlico.For each area there is a detailed gazetteer and brief introduction. A general introduction provides a historical and artistic overview. Numerous maps and plans, over 100 new color photographs, full indexes, and an illustrated glossary help to make this book invaluable as both reference work and guide.This is the fifth of six Pevsner Architectural Guides volumes on London available in cloth.

In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression.              Covering a wide range of buildings—from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks—Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts.  By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.  “The book itself as a production is spectacular.”—David Dunster, Architectural Review

In When Buildings Speak,Anthony Alofsin explores the rich yet often overlooked architecture of the late Austro-Hungarian Empire and its successor states. He shows that several different styles emerged in this milieu during the late nineteenth and early twentieth centuries. Moreover, he contends that each of these styles communicates to us in a manner resembling language and its particular means of expression.              Covering a wide range of buildings—from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks—Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements and through their political, social, and cultural contexts.  By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles. And such architecture can still speak very powerfully to us today about the contradictory issues affecting parts of the former Habsburg Empire.  “The book itself as a production is spectacular.”—David Dunster, Architectural Review

The historic capital of Scotland is well known as a fortified medieval city with castle and crown-steepled church, its Royal Mile leading down to the Abey and Palace of Holyrood; as a merchant city of the Stuart period with Parliament House and closely built houses and tenements; as a Georgian town with the largest sequence of planned developments in Britain; as a Victorian town of churches and banks, hotels and pubs, of quiet surburbs; and as a twentieth-century city where the Festival and its Fringe have encouraged the rediscovery of old buildings and the planning of new ones. A comprehensive gazetteer is provided to all notable developments of central Edinburgh, the seaport town of Leith and the suburban neighbourhoods.

Kvitka is the most popular Ukrainian folk song singer of all time. Recently honored by Ukrainian Parliament, a day has been named for her honoring her contributions to music. She has had buildings and parks and boulevards in Ukraine named for her. Buy this recording and find out just how lovingly this American born singer captures and expresses the deep and true Spirit of Ukraine. Her gorgeous singing will bring a tear to your eye and strength to your heart. This is her first Ukrainian recording

A scholarly study of Sir Robert Cotton as antiquary and politician. It examines his antiquarian writings, the building of his library, his relations with European scholars, his place at court, in parliament, and in the literary society of Renaissance London.

The Palace of Westminster, home to Britain's Houses of Parliament, is one of the most studied buildings in the world. What is less well known is that while Parliament was primarily a political building, when built between 1834 and 1860, it was also a place of scientific activity. The construction of Britain's legislature presents an extraordinary story in which politicians and officials laboured to make their new Parliament the most radical, modern building of its time by using the very latest scientific knowledge. Experimentalists employed the House of Commons as a chemistry laboratory, geologists argued over the Palace's stone, natural philosophers hung meat around the building to measure air purity, and mathematicians schemed to make Parliament the first public space where every room would have electrically-controlled time. Through such dramatic projects, Edward J. Gillin redefines our understanding of the Palace of Westminster and explores the politically troublesome character of Victorian science.

In 1977 the "wrap" artist Christo, famous for both his wrapped Roman wall and his Running Fence in northern California, proposed to wrap Germany's Reichstag--the first of three proposals to be turned down. In 1994, after a vote by the German parliament, Christo's fourth proposal to wrap the building was accepted. Wrapped Reichstag depicts the trials and tribulations, meetings, drawings, and conversations that led to the acceptance of Christo's plan. Simple chronologies give important dates in both English and German, and giant, play-by-play photographs chronicle the years of effort involved in the project's production and completion, testaments to the tenacity of all involved. Completed on June 24, 1995, the Reichstag stayed wrapped for 14 days. Photographs of the wrapped building from all angles at all times of day and night give the reader a clear idea of the finished work's grandeur.

Hardcover. In 1950, the obligatory participation of visual artists in state building measures at home and abroad was decreed in the German Bundestag as well as in the parliament of the GDR. Over a period of 70 years, numerous artworks that reflect the politics, society, and architecture as well as the tasks of institutions have been created. The book sheds light on the significance and potentials of building-related art for state authorities and institutions, research institutes, military facilities, and German representation around the world. It discusses its specific aspects, like the creation of the works, as well as their maintenance and preservation, and elucidates how close building-related art can be to day-to-day lifeas inspiration, statement, and national visiting card that adds value to architecture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

During his career as an architect, he designed major public buildings such as the Quebec Music Hall, Laval University, Sainte-Marie de Beauce church, and Dufferin Terrace, and was supervising architect for the first Parliament Buildings in Ottawa. He was responsible for introducing Gothic and Greek Revival styles to Quebec city and fostered the use of contemporary materials in residential and commercial structures. Christina Cameron's biography of this remarkable man includes an analysis of innovations in architectural design and construction technology in Quebec City during the middle of the nineteenth century, and includes a discussion of the radical change in the role of the architect from the architect/artisan of the previous century to the professional man who no longer took any part in the actual construction. In this first full-scale study of Baillairgé, Cameron has provided a fascinating picture not only of the life of an important architect but of developments in Canadian architecture during this period.